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The Joy of Writing (Without AI)

The human value of creativity is in the expression, not just the outcome

โ€œThe joy of the writer is imagining the words.โ€

Thatโ€™s not exactly how ๐——๐—ฎ๐˜ƒ๐—ถ๐—ฑ ๐—›๐—ฒ๐—ถ๐—ป๐—ฒ๐—ป๐—บ๐—ฒ๐—ถ๐—ฒ๐—ฟ ๐—›๐—ฎ๐—ป๐˜€๐˜€๐—ผ๐—ป put it in an interview with technology podcaster ๐—Ÿ๐—ฒ๐˜… ๐—™๐—ฟ๐—ถ๐—ฑ๐—บ๐—ฎ๐—ป, but it captures the creative sentiment.

In explaining how he uses AI (read the transcript), Hansson said he asks questions, gets second opinions and sometimes generates a draft, but he still types code himself. Otherwise, he said, โ€œI can literally feel competence draining out of my fingers.โ€

Hansson compared the difference between letting AI code or using it as an assistant with playing the guitar versus listening to a great guitarist. โ€œThe joy is to command the guitar yourself," he said. "The joy of the programmer โ€ฆ is to type the code myself.โ€

The analogy also rings true for all artistic aspects of communications.

The joy of the writer is imagining the words. The joy of the photographer is capturing the perfect moment in time. The joy of the designer is sketching the vision. The joy of the filmmaker is weaving narrative through motion and sound. The joy of the animator is breathing life into static images.

You get the idea. AI can do all that and more, occasionally even better than humans. But as Hansson told Fridman, the human value of creativity is as much in the expression as it is in the outcome.

Remember that the next time you get ready to prompt Claude.

(๐˜—.๐˜š. ๐˜๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜ณ๐˜ฅ, ๐˜Š๐˜ญ๐˜ข๐˜ถ๐˜ฅ๐˜ฆ ๐˜ธ๐˜ณ๐˜ฐ๐˜ต๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ด๐˜ฆ ๐˜ต๐˜ธ๐˜ฐ ๐˜ด๐˜ฆ๐˜ฏ๐˜ต๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด: โ€œ๐˜›๐˜ฉ๐˜ฆ ๐˜ซ๐˜ฐ๐˜บ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ญ๐˜ฎ๐˜ฎ๐˜ข๐˜ฌ๐˜ฆ๐˜ณ ๐˜ช๐˜ด ๐˜ธ๐˜ฆ๐˜ข๐˜ท๐˜ช๐˜ฏ๐˜จ ๐˜ฏ๐˜ข๐˜ณ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ฎ๐˜ฐ๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ. ๐˜›๐˜ฉ๐˜ฆ ๐˜ซ๐˜ฐ๐˜บ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ฏ๐˜ช๐˜ฎ๐˜ข๐˜ต๐˜ฐ๐˜ณ ๐˜ช๐˜ด ๐˜ฃ๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ญ๐˜ช๐˜ง๐˜ฆ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ด๐˜ต๐˜ข๐˜ต๐˜ช๐˜ค ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ฆ๐˜ด.โ€

๐˜›๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ณ๐˜ช๐˜จ๐˜ช๐˜ฏ๐˜ข๐˜ญ ๐˜ฆ๐˜น๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜ธ๐˜ข๐˜ด ๐˜ข๐˜ญ๐˜ญ ๐˜ฎ๐˜ช๐˜ฏ๐˜ฆ. ๐˜ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฎ๐˜ฑ๐˜ต๐˜ฆ๐˜ฅ ๐˜Š๐˜ญ๐˜ข๐˜ถ๐˜ฅ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ฆ๐˜น๐˜ฑ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฏ๐˜ค๐˜ฆ๐˜ฑ๐˜ต, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ข ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ฆ๐˜ฅ๐˜ช๐˜ต๐˜ฐ๐˜ณ, ๐˜ช๐˜ต ๐˜ช๐˜ฎ๐˜ฑ๐˜ณ๐˜ฐ๐˜ท๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ฏ๐˜ข๐˜ญ ๐˜ฅ๐˜ณ๐˜ข๐˜ง๐˜ต ๐˜ฃ๐˜บ ๐˜ฎ๐˜ข๐˜ฌ๐˜ช๐˜ฏ๐˜จ the point ๐˜ณ๐˜ฆ๐˜ญ๐˜ฆ๐˜ท๐˜ข๐˜ฏ๐˜ต ๐˜ต๐˜ฐ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ๐˜ด.)